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You've selected:
One Hundred Ways
Sheetmusic to print
35 sheet music found
<
1
26
One Hundred Ways
One Hundred Ways
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Melody line, (Lyrics) and Chords
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EASY
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Jazz
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David Sanborn
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Marco Polo C
#
One Hundred Ways
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MARCO POLO IGNACIO
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SheetMusicPlus
Instrumental Duet,Piano C Instrument - Level 2 - SKU: A0.881010 By David Sanborn. By Anthony Coleman, Benjamin Wright, and Kathleen Wakefield. Arranged ...
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Instrumental Duet,Piano C Instrument - Level 2 - SKU: A0.881010 By David Sanborn. By Anthony Coleman, Benjamin Wright, and Kathleen Wakefield. Arranged by Marco Polo C. Ignacio. Jazz. Lead Sheet / Fake Book. 2 pages. MARCO POLO IGNACIO #6490475. Published by MARCO POLO IGNACIO (A0.881010). One Hundred Ways is a 1981 single released from Quincy Jones's album The Dude on A&M Records. The song features James Ingram on vocals. The song reached number 14 on the U.S. Billboard Hot 100 in 1982. It was a bigger Adult Contemporary hit, reaching number five in the U.S. and number six in Canada. One Hundred Ways received the 1982 Grammy Award for Best R&B Vocal Performance.
$4.99 ≈
4.66€
One Hundred Ways
One Hundred Ways
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Choral TTBB
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ADVANCED
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David Sanborn
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Paul Langford
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One Hundred Ways
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Paul Langford
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SheetMusicPlus
Choral Choir (TTBB) - Level 5 - SKU: A0.1076759 By David Sanborn. By Anthony Coleman, Benjamin Wright, and Kathleen Wakefield. Arranged by Paul Langford...
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Choral Choir (TTBB) - Level 5 - SKU: A0.1076759 By David Sanborn. By Anthony Coleman, Benjamin Wright, and Kathleen Wakefield. Arranged by Paul Langford. A Cappella,Jazz,Pop. Octavo. 22 pages. Paul Langford #680866. Published by Paul Langford (A0.1076759). TTBB acappella with divisi arrangement of the great James Ingram/Quincy Jones hit.
$1.99 ≈
1.86€
One Hundred Ways by James Ingram - Piano/Vocal/Guitar
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Piano, Vocal and Guitar
#
James Ingram
#
One Hundred Ways
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Musicnotes
Performed by: James Ingram: One Hundred Ways Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file ...
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Performed by: James Ingram: One Hundred Ways Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Piano/Vocal/Guitar, instruments: Voice;Piano;Guitar; 6 pages -- R & B~~Adult Contemporary~~Quiet Storm~~Contemporary R & B
$5.79 ≈
5.40€
One Hundred Ways by James Ingram - Piano/Vocal/Guitar
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Piano, Vocal and Guitar
#
James Ingram
#
One Hundred Ways
#
Musicnotes
Performed by: James Ingram: One Hundred Ways Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file ...
(+)
Performed by: James Ingram: One Hundred Ways Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Piano/Vocal/Guitar, instruments: Voice;Piano;Guitar; 6 pages -- Adult Contemporary~~Quiet Storm~~Contemporary R & B
$5.79 ≈
5.40€
One Hundred Ways by James Ingram - Piano/Vocal/Guitar
#
Piano, Vocal and Guitar
#
James Ingram
#
One Hundred Ways
#
Musicnotes
Performed by: James Ingram: One Hundred Ways Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file ...
(+)
Performed by: James Ingram: One Hundred Ways Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Piano/Vocal/Guitar, instruments: Voice;Piano;Guitar; 6 pages -- Adult Contemporary~~Quiet Storm~~Contemporary R & B
$5.79 ≈
5.40€
One Hundred Ways
One Hundred Ways
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Jazz Ensemble
#
EASY
#
Jazz
#
David Sanborn
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One Hundred Ways
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Chris Walden
#
SheetMusicPlus
By David Sanborn. By Anthony Coleman, Benjamin Wright, and Kathleen Wakefield. Arranged by Chris Walden. Jazz. Score and parts. 31 pages. Chris Walden...
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By David Sanborn. By Anthony Coleman, Benjamin Wright, and Kathleen Wakefield. Arranged by Chris Walden. Jazz. Score and parts. 31 pages. Chris Walden #5001485. Published by Chris Walden
$50.00 ≈
46.67€
Nineteen Skeletal Duets for Trombones
Nineteen Skeletal Duets for Trombones
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2 Trombones (duet)
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EASY
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Jazz
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Gregory Fritze
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Nineteen Skeletal Duets for Tr
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Musica Nova USA
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SheetMusicPlus
Composed by Gregory Fritze. Classical Period, Contemporary Classical, Jazz, Method, Etudes and Exercises. Individual Part, Score. 44 pages. Published ...
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Composed by Gregory Fritze. Classical Period, Contemporary Classical, Jazz, Method, Etudes and Exercises. Individual Part, Score. 44 pages. Published by Musica Nova USA
Nineteen Skeletal Duets for Trombones is a set of duets of easy to moderately difficult specifically for teachers and students in private lessons. The first 15 duets are arranged from Fifteen Safari Duets for Tubas which was composed in 1989 for playing with my tuba students at Berklee College of Music. They are at different levels of difficulty and in various styles so that we always had duets to play no matter what was the ability of the student. The additional four duets were added in 2020 for trombones for this set. The title of each duet is also a name for a bone in the human body, hence the name Skeletal Duets. There is something in each duet for students to learn: the basics of tone production, rhythms, melodic phrasing, jazz, graphic notation, etc. Most are sight readable and some have been performed in concerts. Nineteen Skeletal Duets for Euphoniums are the same duets but in treble clef. Twenty-two Skeletal Duets for Hornsuses the first 19 of the trombone set with three additional duets added. Some of the trombone and horn duets are in the same key so they can be played together.
1. Cranium
This duet presents the cantabile ?singing? style as studied for playing the trombone. I find that this duet helps the student much like the melodies of Borgodni (Rochet) etudes.
2. Stirrup
This duet provides an opportunity to read basic rhythms and articulations. I find that the more advanced students can read in a faster tempo while the less skilled students work best in the slower tempos ? a common choice for all of the duets.
3. Humerus
This waltz helps the student match phrasing in a cantabile setting. There are a few instances where the teacher (playing the first part) plays a phrase then the student plays a similar phrase.
4. Vertebra
This is in a ?rock? style with syncopated rhythms with cantabile melodies. Articulations are especially important in this duet.
5. Axis
Legato scales and syncopated rhythms are the features of this duet. This is a good exercise for legato playing on trombone, especially when the legato tongue is needed versus when the trombonist does not need to tongue when moving across partials.
6. Tibia
This duet alternates in rock style and swing. Articulations and manipulation of ?swing? rhythms are important.
7. Clavicle
The key of A for this duet provides variation for the students.
8. Fibula nd
This duet uses the easiest of rhythms and range, especially for the 2
9. Scapula
This duet is non-metric and uses graphic notation. This was a favorite duet of my students as many had never experienced this notation before.
10. Atlas ndThis is an Invention in the Bach style. This is probably the best duet to play when the 2 part is played by bass trombone.
(student) part.
11. Radius
This duet is in a ?Medium Swing? jazz style. Each part has a chance to play a little bit of a ?walking? bass line. Articulations and manipulation of ?swing? rhythms are important in this duet.
12. Femur
This duet works on double time and half time tempo changes.
13. Patella
This is another duet that includes graphic notation. In this duet ?Free rapid legato lines? are used.
14. Anvil
This gallop displays different types of articulation.
15. Hammer
This duet is in the style of a fanfare.
16. Rib
This duet is a melody, ?Magallon Blues?, that I originally composed when I taught at a summer music camp in Magallon, Spain. In that camp each of the students would practice playing a jazz solo. This duet also has jazz chord changes so you can add piano or guitar. The use of drums is also an added option.
17. Sacrum
This duet is a short arrangement of Mozart?s ?Eine Kleine Nachtmusic?.
18. Ulna
This duet is a short arrangement of the traditional Irish folk song ?Londonderry Air?, more commonly known as ?Danny Boy?.
19. Ilium
This duet is a short arrangement of the Beethoven?s song ?Ode to Joy? which represents the triumph of universal brotherhood against war and desperation.
Gregory Fritze is a prize-winning composer and Fulbright Scholar, as well as an active performer. He recently retired from Berklee College of Music where he was Tuba Professor and Chair of Composition, serving on the faculty from 1979 to 2016. He has written over one hundred compositions for orchestra, band, chamber ensembles and soloists. He has won over sixty composition awards both nationally and internationally including First Prize in the 1991 TUBA Etude Contest for Twenty Characteristic Etudes for Tuba, an award from The American Prize for his Petite Suite for Brass Quintet and others. His compositions include works published by several publishers in the United States, South America and Europe that have been performed extensively throughout the world. Many of his compositions are available on ITunes, Youtube and Soundcloud.
His compositions are recorded on Albany Records, MSR Classics, Crystal Records, Mark Records and others. He has been a guest lecturer, conductor and performer at many colleges, universities and music festivals in the United States, Canada, Japan, South America and Europe. He was born in Allentown, Pennsylvania in 1954 and has Composition degrees from the Boston Conservatory and Indiana University. He now resides in Daytona Beach Shores, Florida.
$20.00 ≈
18.67€
Always - Irving Berlin (for Saxophone Quartet SATB or AATB)
Always - Irving Berlin (for Saxophone Quartet SATB or AATB)
#
Saxophone Quartet: 4 saxophones
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INTERMEDIATE/ADVANCED
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Irving Berlin
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Kenneth Abeling
#
Always - Irving Berlin
#
LINCOLN MUSIC PUBLICATIONS
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.515266 Composed by Irving Ber...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.515266 Composed by Irving Berlin. Arranged by Kenneth Abeling. Christmas,Film/TV,Holiday,Jazz,Wedding. 18 pages. LINCOLN MUSIC PUBLICATIONS #6211493. Published by LINCOLN MUSIC PUBLICATIONS (A0.515266). This is Irving Berlin’s “Always” from Christmas Holiday arranged for Saxophone Quartet by Kenneth Abeling. This lovely song is appropriate for various occasions including Weddings and Christmas and the arrangement is of intermediate level difficulty. Playing time: 3:10. To view and listen to this piece in its entirety as well hundreds of other arrangement and transcriptions by Kenneth Abeling at the lowest prices available please visit: https://lincolnmusicpublications.com/
$13.99 ≈
13.06€
Always - Irving Berlin (for Saxophone Quintet SATTB or AATTB)
Always - Irving Berlin (for Saxophone Quintet SATTB or AATTB)
#
Saxophone Quartet: 4 saxophones
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INTERMEDIATE/ADVANCED
#
Irving Berlin
#
Kenneth Abeling
#
Always - Irving Berlin
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LINCOLN MUSIC PUBLICATIONS
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.515270 Composed by Irving Ber...
(+)
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.515270 Composed by Irving Berlin. Arranged by Kenneth Abeling. Christmas,Film/TV,Holiday,Jazz,Wedding. 18 pages. LINCOLN MUSIC PUBLICATIONS #6211507. Published by LINCOLN MUSIC PUBLICATIONS (A0.515270). This is Irving Berlin’s “Always” from Christmas Holiday arranged for Saxophone Quintet by Kenneth Abeling. This lovely song is appropriate for various occasions including Weddings and Christmas and the arrangement is of intermediate level difficulty. Playing time: 3:10. To view and listen to this piece in its entirety as well hundreds of other arrangement and transcriptions by Kenneth Abeling at the lowest prices available please visit: https://lincolnmusicpublications.com/
$14.99 ≈
13.99€
Always - Irving Berlin (for Brass Quintet)
Always - Irving Berlin (for Brass Quintet)
#
Brass quartet : 2 trumpets, trombone, tuba
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INTERMEDIATE/ADVANCED
#
Irving Berlin
#
Kenneth Abeling
#
Always - Irving Berlin
#
LINCOLN MUSIC PUBLICATIONS
#
SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.515271 Composed by Irving Berlin. Arranged by Kenneth Abeling. Christmas,Holiday,Jazz,M...
(+)
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.515271 Composed by Irving Berlin. Arranged by Kenneth Abeling. Christmas,Holiday,Jazz,Musical/Show,Wedding. Score and parts. 16 pages. LINCOLN MUSIC PUBLICATIONS #6211509. Published by LINCOLN MUSIC PUBLICATIONS (A0.515271). This is Irving Berlin’s “Always” from Christmas Holiday arranged for Brass Quintet by Kenneth Abeling. This lovely song is appropriate for various occasions including Weddings and Christmas and the arrangement is of intermediate level difficulty. Playing time: 3:10. To view and listen to this piece in its entirety as well hundreds of other arrangement and transcriptions by Kenneth Abeling at the lowest prices available please visit: https://lincolnmusicpublications.com/
$14.99 ≈
13.99€
Marta Mia (2018) for baritone and piano
Marta Mia (2018) for baritone and piano
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Thomas Oboe Lee
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Marta Mia
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Thomas Oboe Lee
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SheetMusicPlus
Baritone Horn TC,Vocal Solo,Voice - Level 4 - SKU: A0.869570 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Romantic Period. 65 pages. Thomas Ob...
(+)
Baritone Horn TC,Vocal Solo,Voice - Level 4 - SKU: A0.869570 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Romantic Period. 65 pages. Thomas Oboe Lee #3510969. Published by Thomas Oboe Lee (A0.869570). Luigi Pirandello met Marta Abba an actress in one of his plays in 1925. He fell head over heels for her. She was 25 and he was 58. Over the next ten years before he died in 1935 Pirandello wrote over 600 letters to her. Marta Abba never reciprocated his affection and always kept him at arm's length. But he never gave up trying to woo her. I gleaned through these hundreds of letters translated by Benito Ortolani in his book, Pirandello's Love Letters to Marta Abba, and extracted excerpts from eight letters that give a small vignette of Pirandello's obsession with his muse, Marta. The setting is in the original Italian for baritone and piano.Audio link: https://thomasoboelee.bandcamp.com/album/marta-mia-2018Video link: https://youtu.be/nzwKgWanb6c
$9.99 ≈
9.32€
Always Near
Always Near
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1 Piano, 4 hands
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EASY
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New Age
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Contemporary
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Kevin Kern
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Dave Prudon
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Always Near
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Prudon String Ensembles
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SheetMusicPlus
1 Piano,4 Hands,Piano Duet - Level 2 - SKU: A0.1290049 By Kevin Kern. By Kevin Gibbs. Arranged by Dave Prudon. Contemporary,New Age. Score. 7 pages. Pru...
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1 Piano,4 Hands,Piano Duet - Level 2 - SKU: A0.1290049 By Kevin Kern. By Kevin Gibbs. Arranged by Dave Prudon. Contemporary,New Age. Score. 7 pages. Prudon String Ensembles #880752. Published by Prudon String Ensembles (A0.1290049). The joy of sitting beside a friend or loved one and playing a piano duet together is brought to light in this beautiful arrangement. Perfect for an advanced player to accompany a 'not-so' advanced player, this is scored in such a way as to give everyone a sense of sheer delight.To see other arrangements like this one, as well as hundreds of pieces arranged for strings, please take a look at: Prudon String Ensembles Sheet Music.
$5.99 ≈
5.59€
For Always
For Always
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BeBe and CeCe Winans
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Susanna Lausevic
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For Always
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Susanna Lausevic
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SheetMusicPlus
Choral Choir (5-Part) - Level 4 - SKU: A0.508902 By BeBe and CeCe Winans. By BeBe Winans, Billy Sprague, and Keith Thomas. Arranged by Susanna Lausevic....
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Choral Choir (5-Part) - Level 4 - SKU: A0.508902 By BeBe and CeCe Winans. By BeBe Winans, Billy Sprague, and Keith Thomas. Arranged by Susanna Lausevic. A Cappella,Praise & Worship. Octavo. 3 pages. Susanna Lausevic #120033. Published by Susanna Lausevic (A0.508902). A cappella version high soprano soloist goes up to option high A low bass two key changes intricate timing and intervals one verse check out my YOUTUBE channel for the audio version to this arrangement and hundreds more and please subscribe. thank you.
$3.00 ≈
2.80€
One Hundred Ways
One Hundred Ways
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Piano, Vocal and Guitar
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James Ingram and David Sanborn
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Pop
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One Hundred Ways
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
By James Ingram and David Sanborn. For piano, voice and guitar (chords only). Jazz; Pop; Standards. Piano/Vocal/Guitar (chords only). 6 pages. Published by Hal ...
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By James Ingram and David Sanborn. For piano, voice and guitar (chords only). Jazz; Pop; Standards. Piano/Vocal/Guitar (chords only). 6 pages. Published by Hal Leonard - Digital Sheet Music
$4.99 ≈
4.66€
James Ingram: One Hundred Ways - voice, piano or guitar
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Piano, Vocal and Guitar
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INTERMEDIATE
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Jazz
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James Ingram
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Virtualsheetmusic
Instantly printable sheet music by James Ingram for voice, piano or guitar of MEDIUM skill level. / jazz,pop,standards
Instantly printable sheet music by James Ingram for voice, piano or guitar of MEDIUM skill level. / jazz,pop,standards
$6.97 ≈
6.51€
Festive Hymn Introductions for Organ
Festive Hymn Introductions for Organ
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Organ
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INTERMEDIATE
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Dale Wood
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Festive Hymn Introductions for
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Sacred Music Press
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SheetMusicPlus
Organ: 3-staff - Intermediate SKU: LO.70-1140S 37 Settings For Organ. Composed by Dale Wood. Sacred, General, Hymn-Based Collection. Sacred Music ...
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Organ: 3-staff - Intermediate SKU: LO.70-1140S 37 Settings For Organ. Composed by Dale Wood. Sacred, General, Hymn-Based Collection. Sacred Music Press #70/1140S. Published by Sacred Music Press (LO.70-1140S). UPC: 000308034240.Well-known hymns can be made to sparkle when introduced with fresh, creative organ intonations. The hymn introductions in this versatile collection are filled with colorful harmonies and vitality. The tunes are always prominent, and the introductions generate enthusiastic attention from the singers as they prepare to unite in song. Many of the settings can be used as free harmonizations for congregation singing; shorter introductions can also be used as interludes between stanzas.
Song List
: Diademata Duke Street Easter Hymn Foundation Holy Manna Hyfrydol In dulci jubilo Italian Hymn Laudes Domini Laast Uns Erfreuen Lobe Den Herren McKee Nicaea Nun danket alle Gott Royal Oak Old Hundredth Slane St Denio St Anne Ash Grove The In Babilone Mit Freuden Zart Nettleton St Christopher St Columba Terra Patris Maryton Bradbury Bereden vag for herran Sacred Song Marion Brother James Air Aurelia Darwalls 148th Bunessan Coronation Cwm Rhondda
$28.00 ≈
26.13€
Hallelujah
Hallelujah
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Choral SATB
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INTERMEDIATE
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Lee DeWyze
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D
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Hallelujah
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D. M. Gardner Music
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.799676 By Lee DeWyze. By Leonard Cohen. Arranged by D. M. Gardner. A Cappella,Rock. Octavo. 10 pages. D. M. Gard...
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Choral Choir (SATB) - Level 3 - SKU: A0.799676 By Lee DeWyze. By Leonard Cohen. Arranged by D. M. Gardner. A Cappella,Rock. Octavo. 10 pages. D. M. Gardner Music #4803255. Published by D. M. Gardner Music (A0.799676). Hallelujah - For Those Who Fight for FreedomA Tribute to VeteransSATB a cappellaMy orders say we're shipping' outWe don’t have long now to talk aboutThe hundred thousand ways I’m gonna’ miss ya’When we told the kids I’d have to leaveThrough tears, they tried to comfort me And my broken heart cried out a Hallelujah!CHORUS: Hallelujah, Hallelujah, Hallelujah, HallelujahMy boots sink in the desert sandAnd all I want is to hold your handAnd kiss you like the day I whisper'd to ya’But reminding me as I left the gateYou said, Freedom’s call, it can never waitAnd you’d be right there when I came back runnin’ to ya’CHORUS****THIRD VERSE HIDDEN IN HOPES YOU WILL PURCHASE THE MUSIC! THANKS!***CHORUS X2My darling, would you please sit downAnd gather all the kids around?I got somethin’ that I really need to tell ya’Daddy’s not gonna’ make it home;I tried so hard, but your not alone,‘Cause from way up here, I can see your Momma’s with ya’!CHORUS X2Alternate lyrics for verse four:My darling, would you please sit downAnd gather all the kids around?I got somethin’ that I really need to tell ya’Sometimes you might feel alone, But please don't cry, 'cause I'm coming' home,And don't be afraid, 'cause you know I'm always with ya'!To learn more about the arranger and poet, please visit https://www.dmgardner.com*Please note, all text above is subject to copyright. Please do not use without purchase!
$1.99 ≈
1.86€
Larry Williams Compositions- The Guitar Book
Larry Williams Compositions- The Guitar Book
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Guitar
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INTERMEDIATE/ADVANCED
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Larry Williams
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Larry Williams Compositions- T
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Larry Andrew Williams
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1167528 Composed by Larry Williams. Contemporary,Folk,Jazz. Individual part. 80 pages. Larry Andrew Williams #767908. Pu...
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Solo Guitar - Level 4 - SKU: A0.1167528 Composed by Larry Williams. Contemporary,Folk,Jazz. Individual part. 80 pages. Larry Andrew Williams #767908. Published by Larry Andrew Williams (A0.1167528). A WORD FROM THE COMPOSER Is anyone interested in new reading material anymore? I know that when I was a kid in nineteen hundred and something, the quest for new musical pieces was always one of the funnest aspects of the whole musical journey. Of course I did learn that it would take a long time to nd those few that would resonate with me for a lifetime, but it was always fun trying them all out. It still is, in fact. Well, times change and people change, but I’d still like to believe that same factor carries on. You know, the one about trying out all that music to get to the few you keep. And what about the few we do keep? For guitar players, was it always a classic from the usual suspects, like Albeniz, Sor, Tarrega,, Granados, Rodrigo, Brouwer, Barrios, Villa-Lobos, or anything by Bach?Was it something our band director or private instructor, one of our friends, or our parents wrote? Or – Heaven forbid- something that maybe we ourselves wrote? Or some “unknown guy.” Consider this.Just how often did some unknown composer's piece greatly affect us as we waded through a daunting pile of the familiar from the known masters? And since some, if not most of these classics are required reading, how often did we even get around to giving this unknown guy's piece a try?And furthermore, was this unknown guy - shudder...alive? Let’s face it. In the composer arena, we the living, stand no chance against the deceased (God rest their souls) But by saying “they don’t write ‘em like that anymore,” are we denying ourselves new ground to be broken, doors to be opened, frontiers to be discovered? And isn’t that pioneering spirit just plain ol’ curiosity when it comes right down to it? Well I believe the key lies within the carrying out of these notions that curiosity places in us. It’s climbing the mountain simply because it is there. So, for right now, I’m that unknown guy and I would only urge you to break new ground every day. Lots of trends, ideas, and interests will come and go in your life, but always hang on to that curiosity. It’s what makes the world a smaller neighborhood. Larry Williams.
$20.00 ≈
18.67€
Jesus Shall Reign Where'er the Sun
Jesus Shall Reign Where'er the Sun
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Piano solo
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ADVANCED
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John Hatton
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Paul Thurmond
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Jesus Shall Reign Where'er the
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Paul Thurmond
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.828227 Composed by John Hatton. Arranged by Paul Thurmond. 20th Century,Baroque,Christian,Sacred. Score. 7 pages. Paul Th...
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Piano Solo - Level 5 - SKU: A0.828227 Composed by John Hatton. Arranged by Paul Thurmond. 20th Century,Baroque,Christian,Sacred. Score. 7 pages. Paul Thurmond #4968929. Published by Paul Thurmond (A0.828227). Tune: DUKE STREETUse: Prelude, PostludeOne Sunday my church was singing Jesus Shall Reign Where’er the Sun as the opening hymn. It’s our tradition that the last stanza of a hymn is sung in unison, so that I as the organist can change the harmonization and keep things interesting. Sometimes I know ahead of time what I’m going to do, and sometimes I make it up on the spot.On this particular morning I planned on being spontaneous. (Can spontaneity be planned?) When we got to the final stanza, I threw on the 16′ pedal reed and went to town.I don’t know if this is the case for all musicians, but while I’m playing my brain is working on several different levels. Most of these are involved in actually playing the music, but there’s also a running commentary on how things are going. This commentary is usually really boring: It’s going okay. It’s going okay. It’s going okay. Sometimes the messages are more interesting: Uh-oh. She just dropped her mute. I missed that chord; remember to circle it when we’re done. My page turner appears to be on fire.So: We’re in the final stanza of Jesus Shall Reign Where’er the Sun. Big, majestic hymn. Over a hundred congregants and choir members are enthusiastically singing in unison. I’m leading them from the organ with an improvised accompaniment that involves all of my limbs. It’s fair to say that I was concentrating hard.Suddenly the commentary part of my brain breaks in: Dude, your feet are totally playing Canon in D. Cool!Canon in D is the most famous work of Johann Pachelbel, a German composer who preceded Bach by a few decades. It’s overused at weddings, but it’s actually a really good piece of music. The original is for three violins and a basso continuo part, which would usually have been played by harpsichord and cello. In this case, the basso continuo plays the same eight measures again and again throughout the piece. This technique of repetition is called a ground bass. While that’s going on, the violins play several different themes on top of it.When I was improvising that Sunday, my feet had accidentally wandered into that ground bass part, which happened to fit nicely with the melody we were singing. During the sermon (sorry Pastor!) I started going through the violin themes in my head, seeing if any of them could also match up with the hymn tune. Some of them worked and some didn’t. I decided to write a sort of theme and variations, where the hymn tune appears in various forms. Sometimes it’s played along with one of the violin themes, and sometimes a violin theme serves as an interlude on its own. And except for one passage, the left hand is always playing some version of the basso continuo theme. I also changed the meter from 4/4 to 3/4 to make it more interesting. It culminates in a climax worthy of a king. I hope you enjoy it.
$4.99 ≈
4.66€
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One Hundred Ways
